Banksy lovers will no doubt be very interested to learn that Don’t Panic have collaborated with the infamous artist to include an A2 print of his ‘Forgive Us Our Trespassing’ piece free in their latest pack.
This is the second time DP have worked with Banksy following the ‘Stop Esso’ campaign piece that is now very much a collectors item.
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I’m liking these posters by Spanish designer Jorge León featuring some of the greats from the history of the Tour de France.
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Another top notch student packaging project – as in packaging by a student not the packaging of students – this time from Germany and Denise Franke.
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I’ve just spotted these posters for popular US TV shows over on Ffffound. I quite like them – especially the Californication one which is clever, witty and not quite as obvious or literal as some of the others.
UPDATE* They were produced by Albert Exergian as a self initiated project.
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Via–
Frédéric is a London based designer fresh graduating at the National College of Arts and Design Olivier de Serres in Paris. He is currently working on freelance projects. I really like the way he has presented his thesis on the need to reconnect the link between music and its visual repesentation.
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I’m liking this set of posters depicting the empty space of sports arenas once the event has finished.
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The first batch of Limited Edition Giclee Art Prints by Darren Scott of Truth are available to purchase online from Paper Scissors Stone.
The prints come in A2 and A1 and are strictly limited to editions of 25.
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Grafik magazine is curating Olympik – an exhibition celebrating the relationship between graphic design and the Olympics. 39 UK designers – think Non-Format, Spin, Biblioteque, tDR etc - have created posters interpreting a sport or discipline.
A catalogue and posters are available – profits go to Right to Play and the GB Paralympic fund. For more info check–
Ben from Bark sent us an email this week to tell us about their hand letterpressed posters that are now available from the Soma gallery in Bristol in limited editions of 30.
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